Title: Urban Spectrum

Urban Specter stands as a lyrical exploration of the invisible architecture that inhabits our cities and memories. This work unfolds an evanescent construction made of overlapping lines, transparencies, and chromatic layers where whites, blues, and violets seem to merge with the earthy background, as if it were a memory barely anchored to matter.

The composition evokes urban plans or the skeletons of buildings seen against the light, where what was once solid is now a trace, a trace, and a vibration. There is no center or hierarchy: everything is in the process of dissolving or emerging. The soft, fragmentary brushstrokes suggest an intermediate state between presence and disappearance. Like a ghost town, the image invites contemplation of the constructed void.

The small square of gold leaf, shifted to the upper right, disrupts the compositional balance and acts as a poetic gesture of rupture and ascent. It is a sacred coordinate, a window to another dimension, or perhaps a cartographic key on an impossible map.

Urban Specter reiterates ORENDAIN's ability to transform abstraction into atmosphere, geometry into memory, and pigment into suspended time. The work speaks not only of the space we inhabit, but also of the space we remember and imagine, thus becoming a mental city traversed by light, history, and absence.