This title highlights the visual character of the works as fragments of an abstract narrative constructed through modular forms, like pieces of a material alphabet. Each work seems to contain a silent syntax composed of rectangles, squares, and textures reminiscent of inscriptions, eroded surfaces, or ancient walls decorated with symbols.

Gold leaf reinforces the notion of the sacred or valuable within this visual language, while ochres, blacks, coppers, siennas, and creams provide a sense of frozen time and settled culture.